
Once the basics sit — warm-neutral temperature, the 30-degree angle — lighting stops being a necessity and becomes an instrument.
Choose LEDs with a color rendering index of CRI 90 or higher. Cheaper diodes flatten reds and starve the subtle mid-tones; a high-CRI source shows the work the way the masterfile intended it.
Modern fixtures let you shift color temperature through the day. A cooler noon setting keeps the work crisp while sunlight floods the room; a warmer evening scene lets the shadows breathe. The artwork does not change — your perception of it does, and you hold the dial.
Program two or three scenes and no more: a daylight setting, an evening setting, and perhaps a late one — low, warm, almost private. More than that becomes a toy.
LEDs emit practically no ultraviolet light, which makes them not only the most flexible choice but the gentlest one. Good lighting flatters the work today and preserves it for decades.
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