
The masterfiles are the collection. Every print can be reproduced from them; they can be reproduced from nothing. So they are guarded accordingly.
The originals live in access-controlled cloud storage that answers to no public address. There is no direct link to a masterfile anywhere on this site — request one without authorization and the storage simply refuses. What visitors see in the gallery are display renditions, delivered through the house's own controlled gateway; the full-resolution originals never travel that road.
Preview and original are kept deliberately apart. The image that seduces on screen and the file a collector acquires are different objects in different places with different rules — which is why admiring a work and owning it remain, pleasantly, two separate experiences.
Scarcity is a promise about copies, and copies are made from originals. Guarding the masterfiles is therefore not an IT formality — it is the physical security of the vault, translated into the digital world. A house that promises three copies must be able to prove there is no fourth lying around. This one can.
Join the Sanctuary to share your insights.
Access AccountThe level of detail in this documentation matches the precision of the artworks themselves. Truly a benchmark for digital art archiving.